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Performance Details

Tuesday, March 15 | 7:00 p.m.
Tickets: $38.50–$48.50

  • Circle of Friends members who give $500+ annually are eligible for 10% off concert tickets. Call 480.478.6000 for more information.

Video


More Information

www.lunasa.ie/

Winter/Spring 2016 Concert Series
sponsored in part by:

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Lúnasa with Tim O’Brien

The Irish music dream team and the GRAMMY-winning musician embark on a transatlantic journey exploring the common roots, interplay, and musical influences at the heart of American and Irish music.

Music is one of Ireland’s most celebrated exports, and Lúnasa, a band like no other, has been at the forefront of that musical migration. Since the release of their 1997 recording debut LÚNASA and the band’s first tour of the U.S.—when word-of-mouth led to rave reviews (“This is the hottest Irish acoustic group on the planet” said The New York Times)—the all-star quintet has become one of the most popular bands on the international Celtic music scene.

Comprising Seán Smyth (fiddle and low whistles), Kevin Crawford (flute, low whistles and tin whistles), Cillian Vallely (uilleann pipes and low whistles), Trevor Hutchinson (double bass) and the group’s newest member Ed Boyd (guitar), Lúnasa delivers music with a passion that informs every note and continues to define and redefine the genre. Their innovative arrangements and unique approach to the music create a singular sound that has propelled Irish acoustic music from familiar ground into surprising and exciting new territory.

A singer of unusual clarity and originality, a self-taught multi-instrumentalist of rare ability, and an incisive songwriter, Tim O’Brien has, over the last 20 years, made a lasting mark on Americana music through his innate musicianship and his wide-ranging tastes. Whether it’s the reinterpretation of an old fiddle tune, a revitalized honky-tonk shuffle from the 1950s, or an original, bluegrass-inflected folk song, O’Brien’s music feels familiar and comfortable while never lapsing into the predictable. The Wall Street Journal called him “a player who updates and clarifies classic repertoire without stripping it of its earthy essence, and who writes classic-sounding material stamped with his own perceptive personality.” He describes what he’s been doing all these years more concisely: “making something new out of something old.”

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