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Ottmar Liebert with Luna Negra

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Liebert’s incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany, to a Chinese-German father and a Hungarian mother, Liebert began playing guitar at eleven and traveled extensively through Europe and Asia, intent on fully absorbing each musical tradition he encountered. After pursuing his rock-and-roll dreams first in his native Germany and then in Boston, Massachusetts, he abandoned the frustrations of the East Coast and settled in Santa Fe, New Mexico.

By 1989, he had founded the first incarnation of his new band Luna Negra. His first album, Nouveau Flamenco, began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries in Santa Fe. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version.

“I was honestly happy playing this music in hotels and restaurants in Santa Fe, and going in one year from doing that to opening for Miles Davis was a pretty intense jump,” Liebert recalls. “Most shocking for me was to realize how many different people from so many diverse cultures embraced it. I still get letters from fans in Europe, South America, Australia, and Asia . . . it’s been a really gratifying experience. I’ve had the opportunity to play in a wide variety of cultural settings with musicians from around the world, and that has been a great experience, too.”

Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings, including the remix collection Euphoria (1995), the live album Viva! (1995), the double CD Opium (1996), and the classical-oriented orchestral album Leaning into the Night (1997). He wrapped up his decade with Epic Records with 2001’s Little Wing and went back to Higher Octave Music, releasing a lush album of lullabies called In the Arms of Love in 2002 and an album with Luna Negra called The Santa Fe Sessions (2003).

La Semana (2004) was his first all-new band album in five years, followed by Winter Rose (2005), which featured original pieces, classical music, and Christmas songs. In 2006, Liebert’s record label SSRI released One Guitar, his first solo guitar recording, which received his fourth nomination for a Grammy. His newest releases are Up Close (2008), which is a binaural dummy-head surround-sound recording, and The Scent of Light (2008), a labor of five years.

Ottmar Liebert has been one of the recording industry’s most popular instrumental artists for more than 25 years. An acoustic guitarist combining jazz and Spanish influences, his ‘Nouveau Flamenco’ music has had broad international success.

Napa Valley Register

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